top of page

Gallery Artists

mom’s website photo.jpg

Lets get in touch:

  • Instagram

As a mixed media artist, CJ explores the boundaries of form, texture, and color through abstract compositions. CJ’s work is a dialogue between spontaneity and intention, where different materials and techniques come together to create layered, dynamic pieces. CJ aims to evoke emotion and provoke thought, encouraging viewers to find their own connections and interpretations within the abstract forms. Through this process, CJ seeks to capture the essence of creativity—unpredictable, complex, and endlessly evolving.

 

CJ's artistic journey is a testament to the transformative power of creativity in the face of adversity. Born into the whirlwind world of a 

traveling evangelist, she spent her formative years on the road, bearing witness to the fervor and devotion of her parents' mission. After her parents passing at age 10, CJ navigated her new life in foster care with art as it allowed her to express her depth of emotions. Today, CJ stands as a testament to resilience and the enduring human spirit. She has transcended her humble beginnings to become a gallery owner, a curator of dreams, and an artist of international acclaim. CJ's journey from troubling childhood to a globally recognized artist and gallery owner reminds us that even in the darkest of circumstances, creativity has the power to heal and transform lives.

CJ Cowden

Founder, Director, Artist

Abstract Painter

American

Guest Artists

Primordium Exhibition
image.png

Biography

Based in Providence, Rhode Island, Elizabeth Peña-Alvarez is a sculptor working primarily with clay. She has an MFA from the Rhode Island School of Design as well as an MFA in Artisanry from the University of Massachusetts Dartmouth. Her work is exhibited nationally. She has participated in several residencies including the Archie Bray Foundation for the Ceramic Arts, Penland School for Craft, Watershed Center for the Ceramic Arts, and most recently, the Hambidge Center in Georgia. Born of Ecuadorian heritage in Miami, Florida, the city's abundant and varied vegetation has had a lasting impact and continues to drive her studio work. â€‹

​

​

Statement

​I explore Post-Traumatic Growth through the interplay of dichotomous themes such as light and darkness, life and loss, and growth and destruction. Rooted in the theory of positive transformation, Post-Traumatic Growth reframes life’s most profound challenges—like the death of a child or a cancer diagnosis—into opportunities for beauty and light. My visual language draws from the natural world, incorporating elements of human anatomy and vegetation. These influences converge in my biomorphic sculptures, where meticulously detailed hybrid forms of botanical and anatomical elements evoke transformation and transcendent growth.

Elizabeth Pena-Alvarez

image-3.png

Photo by Elizabeth Peña-Alvarez

AF1QipMedLrt0oAbxA7nTIDgNPeWf_z2kyS2bKuosDNx=w574-h452.png

Photo by Tom O'Malley

’m having trouble keeping track of the time.jpg

Sonya Sklaroff

Biography

Sonya Sklaroff lives and works in New York City. Her paintings have been exhibited worldwide and are part of prestigious public and private collections, including the Phillips Museum of Art, the Consul General of France, the Dana Farber Cancer Institute, Clarins USA, Fannie Mae, the US Department of Homeland Security, the US Department of State, and the Cahoon Museum of Art. Sklaroff earned her BFA from the Rhode Island School of Design and her MFA from Parsons School of Design. She has participated in numerous artist residencies, including the Virginia Center for the Creative Arts, Ragdale Foundation, Vermont Studio Center, Santa Fe Art Institute, and the Lower Manhattan Cultural Council’s World Views Project, where she had a studio on the 91st floor of Tower One of the World Trade Center. 

​

In 2020, she was awarded the prestigious Anonymous Was a Woman grant from the New York Foundation for the Arts. Her publications include “Sonya Sklaroff” (2014) with an introduction by Harlan Coben, “Pandemic Paintings” (2021) with a preface by Rachael Ray, “A Love Letter to New York City” (2022), and “Escape to the Garden” (2024), featuring over 70 garden and flower paintings completed during her travels. Sklaroff’s significant solo exhibitions include “Secrets of New York” at The Oak Room of the Algonquin Hotel in 2023, accompanied by a catalog with a foreword by theoretical physicist and best-selling author Lisa Randall, and “NoHo Art Nexus: Outside In” in 2024, which transformed her NoHo neighborhood into a vast personal art gallery with 19 different locations exhibiting her works. 

​

Additionally, Sklaroff was commissioned by The Lambs, America’s oldest professional theatrical club on 5th Avenue, to paint a portrait of the club’s first female member, making her the first female artist to receive such an honor at the club.

Statement

Making art is my purpose. More than just what I do, art is a big part of who I am. Painting is how I express my true self, the authentic me. 

Sometimes people ask how I find inspiration. I don’t. Inspiration finds me. I can wake up in the morning, look in the mirror, and find that it is inspiration looking back at me, as somehow the face reflected just doesn’t feel familiar and I paint it to capture that unnerving feeling. Months into the pandemic I came across my neighbor who hadn’t shaved since the lockdown began – the portrait begged to be painted. Trapped in my apartment with the city shut down, I daydreamed of going dancing. So ballroom dancing on a twilit rooftop emerged on my canvas. 

​

I often roam the city with my sketchbook and watercolor set, searching for something to catch my eye. Lately, I’ve been intrigued by the "in between" moments—small glimpses of life that happen when you least expect them. It’s like peering through an iron gate into an urban garden and witnessing an intimate conversation, or glancing up at a lit window in the evening to see someone reading by lamplight, and wondering about their life. I often use these sketches and on-site watercolor paintings as inspiration for my larger oil on canvas works in my studio. 

​

How fortunate I am to know, without question, my role in this world. How grateful I am to find so many people who relate to the stories I tell through my work. How lucky I am that my art allows me to draw creativity from the world around us in times both good and bad. 

SEA Online Artists

2024 Online Exhibitions

Mind of an Artist

John Affolterr 

Richard Allen 

Amita Aung-Thwin 

Gretchen Beck 

Kelley and Gavin Brodin 

Thomas Crawford 

Julia Flit 

Jai Gervin 

Dave Hanson 

Ronald Katz 

Bette Kauffman 

Camille Kouyoumdjian 

Roe LiBretto 

Todd Monjar 

Seamus O'Rourke 

Brigitte Radecki 

Jamie Rix 

Petra Schutte 

Alena Sokolova 

Roseanne Swider 

Eish Verma 

Yuchen Wang 

Memories of my Journeys

John Calabrese 

Amimie Dukes 

Susanne Grosswiler 

Meredith Moles 

Jennifer Ogeden 

Denise Richards 

Robert Riojas III 

Jesus Sanchez 

Jim Slavik 

Merima Smajlovic 

Andrea G. Snyder

C.J. Swanson 

Margery Thomasmueller 

bottom of page